本剧以光绪年间宿迁知县万立钰为原型，讲述其破漕运贪腐案、立“永禁碑”倡廉的故事。本剧通过悬疑探案与市井喜剧元素，展现廉洁家风与地域文化，以新形式解读古代廉政故事，以新语境激活传统廉政基因。

NHK 现代大特写 亚洲的眼泪 AV女优之死 ~与“扭曲性观念”的斗争~

NHK 现代大特写 亚洲的眼泪 AV女优之死 ~与“扭曲性观念”的斗争~

Six people bound together by a traumatic experience decide to round off a year of group therapy in style. They join each other once more, traveling up to the Scottish Lowlands for a reunion weekend in a 1970s holiday let. Soon a number of mysterious and horrifying events start to expose the cracks in their relationships, and one by one they discover that trust runs but skin-deep. A night of closure turns out to be far more final than they could have anticipated.

Six people bound together by a traumatic experience decide to round off a year of group therapy in style. They join each other once more, traveling up to the Scottish Lowlands for a reunion weekend in a 1970s holiday let. Soon a number of mysterious and horrifying events start to expose the cracks in their relationships, and one by one they discover that trust runs but skin-deep. A night of closure turns out to be far more final than they could have anticipated.

Anand Patwardhan's passionate, detailed chronicling of injustices in India has made him the filmmaking conscience of his nation. In The Name of God, Jai Bhim Comrade, and Father, Son, and Holy War stand not only as first-rate documentaries, but as direct interventions on behalf of justice and compassion. After years of work, Patwardhan is back with perhaps his most urgent and thorough film yet. 　　Divided into eight chapters, Reason sets out to chart what Patwardhan sees as India's slide away from the complex tumult of a secular democracy towards hardening divisions of power, caste, and religious belief — lines that are enforced increasingly by violence.

Anand Patwardhan's passionate, detailed chronicling of injustices in India has made him the filmmaking conscience of his nation. In The Name of God, Jai Bhim Comrade, and Father, Son, and Holy War stand not only as first-rate documentaries, but as direct interventions on behalf of justice and compassion. After years of work, Patwardhan is back with perhaps his most urgent and thorough film yet. 　　Divided into eight chapters, Reason sets out to chart what Patwardhan sees as India's slide away from the complex tumult of a secular democracy towards hardening divisions of power, caste, and religious belief — lines that are enforced increasingly by violence.

一个16岁的男孩坚信自己将来会成为一个音乐巨星，尽管在这个小镇上的其他人都不这么认为，直到一位著名的音乐家的儿子来到了这里并帮助他排练他的才艺秀节目，他们在互相学习的过程中也逐渐变得更加亲密。

凯特琳·布罗维雅科，一位五十岁左右的女性，是假释机构的负责人。她负责雨果的案子，雨果是一位25岁的年轻男子，刚刚出狱，她任由他摆布陷入一段危险的关系。她逐渐地意识到这对她的家庭和婚姻的危害，以及她对这位危险的年轻操控者毁灭性的激情所带来的危害。从那一刻起，凯特琳不惜一切代价要保护她的家、她的丈夫以及她的儿子免受她给他们生活带来的威胁……

凯特琳·布罗维雅科，一位五十岁左右的女性，是假释机构的负责人。她负责雨果的案子，雨果是一位25岁的年轻男子，刚刚出狱，她任由他摆布陷入一段危险的关系。她逐渐地意识到这对她的家庭和婚姻的危害，以及她对这位危险的年轻操控者毁灭性的激情所带来的危害。从那一刻起，凯特琳不惜一切代价要保护她的家、她的丈夫以及她的儿子免受她给他们生活带来的威胁……